
River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields the title is another name for the Florida Everglades.
台词一口一口地把我吃掉,我还情不自禁地发射出体香,迷幻,心碎,蠢蠢欲动,被勾引!ps三星半
美妙,自然是反公路的,不是在亡命之旅里消耗,反倒借此重新寻得生命力。
带着无数次微小的死亡经历上路,却无处可逃,无精打采,如同没有观众的临时jam,末尾戳破谎言才激起了重新出走的决心,旋即被堵塞的车流困住
@ MUBI “road movie without the road, a love story without the love, and a crime story without the crime” 望不到尽头的高架和一眼望穿的生活,惊心动魄的逃亡原来只是人生的一道弯路,从中逃离的决绝姿态,苦闷中的一次喘息。(片尾致谢竟然还有Ira Sachs)
浮草+浮云