
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
工人们说你问我们这些问题有什么意义呢,问完你还不是会走,我们还不是跟从前一样吃苦,什么也不会变。镜头扫过愤怒的迷茫的更多是麻木的一张张脸。艺术在这种时候真是最没用的东西了。
2023-12-24 11:38 光色声美感大气,工厂机器题材能拍场景能找到受访/自述对象且覆盖不同角色阶层,有问题意识有(局限内)升华。是这样了。【短评】
画面很漂亮很精致,很多时候甚至觉得是一部介绍生产工艺的纪录片,对于现状得反映有点不直接,过于追求画面,内容太空洞,最后的几段采访十分刻意
几个触动的点:在工作时快要睡着的工人,唱歌配工人睡觉的场景,在楼顶上披着花布的无声镜头。最后工人的控诉也很有代表性,纪录片工作者除了拍摄能为工人实际做什么?要不就变成了消费苦难。这样的纪录片能够起到的作用并不只在于让观众看到苦难,改变社会现实的可能性更是微乎其微,这也是为什么和类似题材的《风景》相比我更倾向张律的表达方式,用工人口述的梦来触发情感,打开另一个共情的维度,而不是仅仅着眼于工作的沉重。
就像片中说的,拍这些又有啥用呢?在这个追求时效、速成的社会。
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