
Guy Maddin writes, "Tscherkassky has made two films cannibalizing Sidney J. Furie's 1982 Barbara Hershey horror film THE ENTITY, the story of a woman who is continually assaulted and raped either by real ghosts or by awfully adept repressed traumas… The screen literally explodes with a tumult of Hershey faces, shattering Steve Burum's original cinematography into shards of frightened eyes, trembling hands and violent outbursts of self-defense, presented in multiple exposures too layered to count, too arresting to ignore."
《一条安达鲁狗》后最具冲击力的影像...
有点多维空间的意思。人物与空间完全被打碎、重组、融合、分裂,甚至连意识和观看也挤压在裂缝中。这样极度不稳定的状态是反认知且反人类的,只有混沌失衡无序消解了一切。
观看”电影“ ,材料,胶片,失真。正片复片交叠成频闪灯效果挺好,竟然我想起文德斯欲望之翼 天使坠落段落!
歐陸烈性視覺炸藥
解构再重组,令人紧张的影像。