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Plot summary
Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
3.5|这世界还有比Stefania Sandrelli更美更会演戏的人了吗,没有了,她什么都不做都太有天赋了。彼得兰杰利真的很爱拍奋斗的女人最终社会性死亡的故事,可能那个年代的努力想要有自己事业又心不硬的女人最终结局就是被骗钱骗色被人嘲笑吧。几次拉近景能看出摄影其实略粗糙,大概这是他和大导演之间技术上的天堑吧。P.S.Ugo Tognazzi这部的造型幻视杜雅尔丹。以及这个角色真的不是在内涵马老师吗(“罗马最大的拉丁情人”/拉着车门不肯放手结果被遛狗 这两个情节)
雨蓓CC選片
好看的摄影调度和斯特法妮娅
底子完全是新现实主义的,彼得兰杰利不愧为跟着维斯康蒂从40年代走过来的人,打字机前的老人、啼哭的婴儿、兼职的拳击手……正是这些看似无关紧要的元素让这部影片变得伟大。流行音乐与白日梦一样,都是空欢喜的魔鬼。PS:海报中SS墨镜里左右两边的人正好是Ugo和Nino,也是没谁了哈哈
10/01/16大银幕重温,4K修复版放映,影片的叙事由主角不同时期的生活段落依据简要的时间顺序拼贴而成,这些段落也是对主角角色特征的不断强调与刻画拼贴,角色性格不断被展现被强化却并没有被发展,影片通过这种独特的方式完成了一种层次丰富立体、感染力强烈的角色塑造。