
"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
地形的倾斜动势形成一种向着伫立于此的诵读者的聚集,而诵读这一行为使其中隐秘之物被开放出来。历史的开放不在于“重现”,而在于诵读者使用的正是与历史人物相同的语言。
长跪不起……作为小说说不定挺好看的?以及最近philosophy of language学多了,看电影无聊的时候就在想,这里这些人念故事本身是不是另一个narrator? 我们应该怎么看这些narrator?或者他们其实就是fiction里的人?
听觉影像彻底的异质性。纷杂的言语慢慢上升,空间悄悄潜入地下
Mubi.
本片编剧维多里尼自称是非马克思主义的共产党员